Music Edition & Publishing · Berlin
ANTIVISION originates its own music IP with a fixed roster of writers, validates it against real market data, and hands label and publishing partners finished masters — originals and covers alike.
About us
ANTIVISION is a music edition and publisher based in Berlin, and the new name of the company OSSIA. We build projects in-house: we originate the IP, the concept and the creative direction rather than buying finished repertoire at a premium.
The repertoire comes from a fixed roster of writers with a proven track record. They are not external licensors but structured partners inside the system: they bring in ideas and finished songs, ANTIVISION carries the full cost and production risk, and takes the repertoire to market through validation and partnerships.
For our partners that means one point of contact, one continuous process from session to release-ready master — and repertoire that has already passed a market test.
Concept, topline and production happen in-house. No third-party song acquisitions, no stacked chains of rights.
A fixed roster of producers, topliners and vocalists with over a decade of combined industry experience.
Every idea is tested in the market as a short-form asset before full production and marketing budget is committed.
A&R, production, mixing, mastering and artwork run internally — to industry standard and optimised for every platform.
Producers & Songwriters
Every writer feeds the same repertoire system. Individual focus areas — topline, track, lead vocal, mix — are assigned per camp and per song and documented in the split sheet before the session begins. That keeps roles flexible and shares transparent at all times.
Producer
A German producer making waves in the electronic dance scene and a core member of the production teams behind VIZE and Crash Your Sound. Co-writer of the German entry for the Eurovision Song Contest 2026, “Fire” by Sarah Engels. He co-produced a remix with Alan Walker, and another of his remixes has become a regular in Robin Schulz’s live sets. A background in piano and more than a decade on drums shapes his rhythmic instinct and melodic feel.
Producer · Guitarist
A Berlin-based producer and guitarist whose work blends electronic dance music with the raw energy of punk rock, classic rock and heavy metal. A keen ear for experimental sound and a dedicated approach to the craft have earned him a reputation as an exciting, genre-blending talent.
Songwriter · Vocalist · Topliner
An independent vocalist and songwriter focused on emotionally driven toplines and dynamic vocal performances. She has written for labels including Sony Music, Universal, SOAVE, I Am Hardstyle and STMPD RCRDS, with support from names such as David Guetta, Martin Garrix and Brennan Heart. Over 30 million streams and 100K+ combined followers. Own artist project: Clarees.
Songwriter · Topliner · Lyricist · Vocalist
With a background in indie-pop and folk, Hannes Volz discovered his passion for co-writing pop and electronic dance music after moving to Berlin in 2019 to study songwriting and music production. More than 50 million Spotify streams and placements in Spotify editorials across Germany, Switzerland and Canada. His songs have featured at festivals such as Lollapalooza; performances include “The Voice of Germany” and Tokio Hotel’s “SuperDuper Show”.
Writer · Artist · Repertoire Partner
A Berlin-based producer, singer and songwriter — and an artist in his own right. Joris has built one of the largest creator audiences in German music, with more than two million TikTok followers and a substantial reach across Instagram and YouTube on top of that. His vocal collaboration with VIZE, “Ghost Town”, has passed 50 million Spotify streams. That combination of writing room and direct audience makes him a natural fit for the short-form validation at the heart of our process.
A selection of credits and collaborations across our writers.
Our approach
Conventional release models commit budget long before anyone knows whether a record will carry in the market. We reverse the order: ideas are generated at volume, tested early against a real audience, and only what clears the agreed signal moves into full production.
01 — Labs
Curated writing camps on a weekly and monthly cycle generate a high volume of ideas, driven by trend signals.
02 — Selection
Only the strongest ideas from each cycle are selected — with a specific partner and exploitation route already in mind.
03 — Signal test
Every track is built as a short-form asset and tested in the market. No organic signal means no further spend.
04 — Release
Once an asset clears the threshold agreed in advance, we finalise it — mixed, mastered and handed over release-ready.
Parallel creative pipelines and short turnaround times raise the number of valid attempts — with controlled downside on each one.
Artist-fronted for long-term brand equity, faceless projects for algorithmic reach, catalogue & sync for revenue beyond the release cycle.
In the standard structure the publishing share stays with the writers. Transparent points system, documented splits, reversion of rights if a record is not released.
No external managers, no stacked approvals, no conflicting incentives — a lean, predictable release process.
Terms, splits and commercial details are discussed confidentially and case by case. The full business concept is available to prospective partners on request.
Partners
We are looking for partners who can build reach — and we supply the repertoire for it. The division of labour is unambiguous from the start and set out in writing for every project.
Creation, production, A&R and signal testing, as well as mixing, mastering and artwork — delivering fully finished, platform-optimised records at volume. Splits and rights are documented before a session begins.
Marketing, distribution and paid spend. You decide which validated asset to scale, based on real market data rather than a blind buy.
A continuous flow of release-ready masters, pre-validated and optimised for playlist traction.
Access to freshly originated IP with cleanly documented splits and an unambiguous chain of rights.
Repertoire drawn from ongoing camps and tailored to your project and audience — originals and covers.
Apply to our camps: no cost risk, your publishing stays with you, participation instead of a flat fee.
Catalogue repertoire that stays exploitable well beyond the release cycle, with a clear clearance position.
Bespoke camps with labels looking to reposition existing IP and bring it back to market.
Contact
Label, publisher, artist or writer — send us a short note about what you are after. We usually reply within two working days.
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Dario Schürmann
Landsberger Allee 61
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Dario Schürmann
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